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Those waves of time, those moments those remain in
memory,
Darjeeling that awakened golden memories,
Darjeeling that we walked from Singmari to Lebong,
The mega Football match and carnival horse race,
Standing in front of the Golghar in the winter breeze,
Hulks of women and men crowded together,
We got a common shop there in search of rendezvous,
Wandering around the stand and selling magazines
How many days of love passed there!,
Namdung Dai, Adhikari Sir met there,
IB Sir, Lakhi Sundas, Bharat Yadav, P. Arjun,
The galaxies of literary luminaries, our fortune!
Literature, the fluorescence, and essence of
Darjeeling!!!
Chaurasta, Mahakal Baba, toy train, the pride of Hill
Darjeeling was once a literary lake — a vibrant hub of literary and artistic activity. In 1968, a flood of literary magazines began to emerge, like landslides cascading from tea gardens, villages, and towns across the region. Literary enthusiasts from our own village had published the Makhamali magazine. Chandra Banucha and C.B. Khawas brought out Muhan, while Madan Ojhaji published Pachhauri. In Darjeeling town, senior literary figures launched publications such as Diyo, Diyalo, and Dhuwan.
At the time, we
believed there was no greater vocation than to be a writer, a poet, or an
editor — serving society and literature felt like both a dream and a passionate
amusement. My father was a staunch supporter of the Gorkha League Party and
served as the president of the Rangbhang Valley unit of the Gorkha League and
the Workers' Union. From 1945 to 1952, he worked in Dam Dam (Kolkata) and later
with the CPWD in Gangtok, before finally settling in his birthplace — Soolbong
Tea Garden in Darjeeling.
As a local leader, he
would go door to door for weeks and months collecting contributions from
workers for the Darjeeling Gorkha League’s head office. In the evenings, he
would return home carrying Gorkha magazines in hand, selling them, and
always upholding the pride of the Gorkhas. The Gorkha magazine,
published with the slogan “We always keep the pride of the Gorkhas high,”
was a household favorite.
Darjeeling was truly
the queen of the hills in those days — a place where Nepal’s royals studied,
where the prominent politicians of Sikkim, film star Danny Denzongpa, former
Chief Minister Nar Bahadur Bhandari, former administrator P.K. Pradhan, C.D.
Rai, and many senior Sikkimese bureaucrats were educated. It was a premier
educational and cultural center, a picturesque town where many beloved Hindi
films were shot.
Darjeeling was the
paradise of Dev Anand, Rajesh Khanna, Sharmila Tagore, Mala Sinha, and many
other actors who loved to film there — a place considered the most beautiful
land in India at the time. Tourists from around the world visited to soak in
its charm. Just hearing the whistle of the toy train and boarding it was a
thrill — today, it stands as one of the world’s most celebrated heritage
railways.
Back then, reaching
Darjeeling and sipping tea with parathas at Golghar — in the heart of the town
— was a matter of pride and joy. Wandering around Chowrasta, or riding ponies
and horses, defined a successful visit. On the return journey, almost everyone
bought a newspaper, magazine, or book — reading was a mark of social status.
In 1974, during the
winter holidays, my friend Krishna Raj Ghatani, my brother Shyam, and I
collected money door-to-door in Mirik and Pokhrebung and published a magazine
called Awakash at Chandra Sharma’s Asha-Lakshmi Press. Among those who
supported our efforts by selling the magazine were Dr. Jeevan Namdung, former
Sikkim Chief Minister Pawan Chamling, Shila Dewan, Rebika Khawas, and many
others.
There was a tradition of including contributors from different places, and we sent the magazine to Kharsang, Mirik, Kalimpong, and Darjeeling by post for sale — a task that was both laborious and fulfilling.
During a cold winter
afternoon, a few friends and I gathered at the famous Golghar shop in
Darjeeling. We stepped inside, warmed ourselves with tea and parathas, and
chatted away like old times. On one such occasion, purely by chance, I ran into
Dr. Jeevan Namdung, a senior and respected figure. We talked at length,
reminisced, and enjoyed a delicious meal together. What a joyful occasion it
was — a grand rendezvous of hearts and memories! Such moments now feel like
relics of the past. Nowadays, such gatherings bring neither the same joy nor
the same warmth.
My most recent visit
to Darjeeling was on May 25, 2025, for the centenary celebration.
I had harbored a deep desire to sip tea and chat with old friends again at
Golghar — the very place etched in my memories. But, alas, fate had other
plans. I fell ill at the very moment I arrived. Still, I hold on to the hope
that someday, by some means or through a literary gathering, I will return to
that beloved place and relive those cherished moments.
How many sweet
memories we planted in the Nepali Sahitya Bhawan! It was truly magical.
Lost in the memories of those golden days, I now realize that Darjeeling is no
longer the same. We’ve lost so many friends, the innocent smiles, the glory,
the inspiration, and the boundless optimism — all seem to have disappeared into
some unseen darkness. One particularly historic event I remember fondly was in 1982,
when the new hall at the Sahitya Bhawan, named SUDHAPA, was inaugurated.
After Sikkim merged
with the Indian mainstream on May 16, 1975, I was able to establish a
workplace there through connections with friends. My ancestors had already
walked these paths — some had even lived in Sikkim during the Chogyal era. I
feel fortunate to have served in the very land where my ancestors once lived.
While working in the government, I also contributed as a part-time writer and
correspondent for Himali Bela.
One day, the late
Editor, Mr. Ram Patro, handed me an invitation letter and said, "We’ve
been invited to Darjeeling. Take a week’s leave, go there, and understand how
the sales system of Himali Bela and Sikkim Express functions."
Overjoyed, I traveled to Darjeeling to attend the Nepali Literature
Conference in 1981–82. I was only 23 or 24 years old then — just a young
boy with dreams in his eyes.
I was blessed when Prem
Pradhan Dai recognized me and led me to the journalists’ section near the
stage. It was a moment of immense privilege — the SUDHAPA meeting hall
was inaugurated in the presence of the three legendary literary luminaries
themselves: Surya Bikram Gyawali, Dharanidhar Koirala, and Parasmani Pradhan.
Sitting among these giants of Nepali literature was an unforgettable honor.
Other distinguished writers present included Lainsingh Bangdel, Gopichandra
Pradhan, Mohan Dukhun, and many others.
Though I had the rare
opportunity to take a group photograph with them, I lost the picture for some
years. Later, with the help of Shri Prem Pradhan and another writer, Shri
Jeevan Labor, I was able to recover it.
That evening, while staying at Hotel Alice Villa, I was fortunate to interview Dr. Parasmani Pradhan. The interview was published in Sammelan, the magazine of the Nepali Sahitya Sammelan of Sikkim at the time. It was indeed a historic moment, made possible by the Nepali Sahitya Sammelan, Darjeeling — and a moment I will always hold close to my heart.
In the late 1970s, Bharat
Yadav, Anosh Das Pradhan, and others formed the All India Nepali
Journalists’ Association in Darjeeling. Writers, poets, and journalists
gathered with the shared goal of advancing their collective interests. Though
the association later became inactive, it sparked meaningful conversations.
One significant
outcome was an open letter, published in Jandoot, addressed to Sikkim’s
then Chief Minister, Kazi Lhendup Dorjee, urging him to advocate for Nepali
language recognition. Although it didn’t happen during his tenure, the
movement gained momentum, and in 1992, under Shri N.B. Bhandari,
Nepali was officially recognized—thanks to the united efforts of Indian
Nepali-speaking communities.
I fondly recall the
thrill of reciting poetry in 1974 at a Yuga Paribodh event in
Darjeeling. The gathering included literary stalwarts like P. Arjun, Chandra
Sharma, B. Yonjan, and Jeewan Theeng. P. Arjun reviewed the
poems, especially highlighting Jeewan Theeng’s allegorical piece about two
cats fighting over bread, judged and devoured by a monkey—symbolizing the
exploitation of his homeland.
Reciting my poem among such luminaries was an unforgettable honour—one of those golden moments when poetry, purpose, and pride met on a single stage.
Arjun Dai was a serious thinker
and a man of quiet, courageous statesmanship. I had heard he carried deep
sorrows within, which he sometimes shared with others — though perhaps not with
me, as I was still young. Later, he took up a post as a magistrate in Medinapur.
He continued to send his poems by post to Himgiri, and we ensured every
issue reached him.
Similarly, we
regularly mailed copies of Himgiri to Dr. Jas Yonjan Dai, Dr.
Jeevan Namdung, the Nepali Sahitya Sammelan, and other literary
friends. Kamala and I were committed to this task.
In 2002, Kamala
Aashu was honoured by the Mirik Nari Seva Samiti. She then suggested we
visit the Nepali Sahitya Sammelan, Darjeeling, meet old literary
friends, and spend a night in the guest room of the same building — as a tribute
to our shared literary journey.
Following the plan, we
visited the Sammelan, where we had the pleasure of meeting poets and artists
like Shri Birendra Subba, Dr. Jeevan Namdung, Karna Thami,
Prem Pradhan, Gopi Chandra Pradhan, and others. Though Shri
Krishna Khadka and Sachendra Rai kindly invited us to their homes,
Kamala insisted we stay in the Sammelan Bhavan guest room, valuing the
emotional connection over comfort.
It was a simple stay, but a deeply meaningful one — a memory we both cherish.
As memories return, I
recall a heartfelt literary program held in 2012 at the SUDHAPA Hall
of the Nepali Sahitya Sammelan Bhavan, following the passing of Kamala
Aashu. The event was jointly organized by Himgiri Prakashan and the Kamala
Aashu Smriti Pratishthan to honour her memory.
Senior writer Shri
Krishna Chandrasingh Moktan graced the occasion as the Chief Guest,
while Bindhya Subba presided over the function. The presence of Radheshyam
Lekali, Sirangharay, and Dr. Nepal from Kathmandu
added depth and dignity to the gathering.
The program was marked by poetry recitations, heartfelt tributes, speeches, and the release and distribution of a commemorative magazine—celebrated with great zest and reverence.
There has always been a deep historical and cultural
connection between Sikkim and Darjeeling, particularly through the Nepali
Sahitya Sammelan, Darjeeling. Established in 1925 during the British era,
its founding president was Hari Prasad Pradhan, a writer and
lawyer originally from South Sikkim, near Melli. He later moved
to Nepal and went on to become the Chief Justice there. His ancestral
home still stands in Sikkim, where his descendants continue to reside. This
rich legacy links Sikkim closely to the literary heritage of Darjeeling.
Having a native-born Sikkimese as the founding
president of such a historic literary institution is a matter of immense pride
for both Sikkim and Darjeeling. It underscores the shared cultural roots of the
two regions. No matter the politics, the bond between Sikkim and Darjeeling
in language, literature, art, and culture cannot be broken.
The recent centenary celebration of the Nepali
Sahitya Sammelan, Darjeeling, marks a historic milestone—a century of
commitment to the Nepali language and literature. Writers from Sikkim,
Nepal, and other regions were invited, symbolizing the broader unity among
Nepali-speaking communities.
All members and organizers of this landmark
celebration deserve heartfelt congratulations for their efforts. May the
Nepali language and literature in India, as championed by the Sammelan,
continue to grow, flourish, and bind us together in unity for
generations to come.
(bbantawa@gmail.com)